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Publié le 29 novembre 2017 3 décembre 2017

Spécifications SR 2000iem

Caractéristiques techniques

Plage de fréquences
606 … 678 MHz / UK
790 … 865 MHz / Almanya
790 … 865 MHz
718 … 790 MHz / Allemagne
718 … 790 MHz
626 … 698 MHz / US
626 … 698 MHz / Allemagne
626 … 698 MHz
558 … 626 MHz / US
558 … 626 MHz/ Almanya
558 … 626 MHz
516 … 558 MHz / US
516 … 558 MHz / Allemagne
516 … 558 MHz
Dimensions 436 x 215 x 43 mm
Compresseur-expanseur HDX
Connecteur audio XLR 2 x XLR, 2 x 6,5 mm Jack
Préréglages max. 32
Réponse en fréquence 25 – 15000 Hz
Distorsion harmonique totale (DHT) < 0,9%
Poids 2600 g
Rapport signal/bruit (S/B) > 90 dB(A)
Gamme de fréquences HF 516…865 MHz
Puissance de sortie HF 10, 30, 50 mW (US : 100 mW) commutable
Bande passante commutable max. 75 MHz
Excursion de fréquence maximale ±48 kHz
Excursion nominale ±24 kHz
Conformément à CE, FCC, IC
Modulation FM, MPX-stereo
Alimentation électrique 100 – 240 V AC, 50/60 Hz
Fréquences porteuses max. 3000
Connecteur d’antenne 2 x BNC
Consommation électrique 0,1 A
Prise pour casque d’écoute > 100 mW (32 Ω)
Gamme de tensions d’entrée + 22 dBu max

Publié le 29 novembre 2017 29 novembre 2017

Spécifications SR 2050iem

Caractéristiques techniques
Plage de fréquences
516 … 558 MHz / Allemagne
626 … 698 MHz / para Alemania
718 … 790 MHz / Allemagne
790 … 865 MHz / Allemagne
558 … 626 MHz / Allemagne
606 … 678 MHz / UK
516 … 558 MHz / US
626 … 698 MHz / US
558 … 626 MHz / US
925 … 937.5 MHz/ Korea
516 … 558 MHz
626 … 698 MHz
718 … 790 MHz
790 … 865 MHz
558 … 626 MHz
Dimensions 436 x 215 x 43 mm
Compresseur-expanseur HDX
Préréglages max. 32
Réponse en fréquence 25 – 15000 Hz
Distorsion harmonique totale (DHT) < 0,9%
Poids 2900 g
Rapport signal/bruit (S/B) > 90 dB(A)
Gamme de fréquences HF 516….865 MHz
Puissance de sortie HF 10, 30, 50 mW (US : 100 mW) commutable
Bande passante commutable max. 75 MHz
Excursion de fréquence maximale ±48 kHz
Excursion nominale ±24 kHz
Conformément à CE, FCC, IC
Modulation FM, MPX-stereo
Alimentation électrique 100 – 240 V AC, 50/60 Hz
Fréquences porteuses max. 3000
Connecteur d’antenne 2 x BNC
Consommation électrique 0,2 A
Prise pour casque d’écoute > 100 mW (32 Ω)
Gamme de tensions d’entrée + 22 dBu max

Publié le 28 novembre 2017 29 novembre 2017

Specifications Red8Pre

Tech Spec

Simultaneous Inputs & Outputs

Channel Count

Up to 64 x 64

System Requirements

Computer	Apple Mac with at least one Thunderbolt or Thunderbolt 2 port (2m Thunderbolt cable included)
Other	Internet connection for downloading and installing software and driver
OS Compatibility	Please visit our OS Compatibility Checker for more information on supported operating systems.

Microphone Inputs

All measurements taken at maximum gain unless otherwise stated, Rs = 150Ω

Gain Range	0-8dB to 63dB in 1dB steps
Type	Electronically Balanced, Zin = 6.2kΩ
Max. Input Level	+19dBu ±0.5, min gain
Min. Input Level	-44dBu ±0.5
Frequency Response	20Hz – 35kHz ±0.2dB, min gain
THD + N	-101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
EIN	-129dBu ‘A’-Weighted (typical)
Signal-to-Noise Ratio	119dB ‘A’-Weighted (typical), min gain
Common-Mode Rejection Ratio	50/60Hz CMRR: -70dB
Phantom Power	+48V, independently switchable per channel.
HPF	High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode	2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kΩ

Line Inputs 1-8

All measurements taken at maximum gain unless otherwise stated, Rs = 50Ω

Type	Electronically Balanced, Zin = 10kΩ
Max. Input Level	+27dBu ±0.5, min gain
Min. Input Level	-36dBu ±0.5
Frequency Response	20Hz – 35kHz ±0.2dB, min gain
THD + N	-101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
Signal-to-Noise Ratio	119dB ‘A’-Weighted (typical), min gain
Common-Mode Rejection Ratio	50/60Hz CMRR: -70dB
HPF	High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode	2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

Line Inputs 9-16

All measurements taken at fixed input gain, Rs = 50Ω

0 dBFS Reference Level	+27dBu ±0.5
Type	Electronically Balanced, Zin = 20kΩ
Frequency Response	20Hz – 35kHz ±0.2dB
THD + N	-104dB (0.0006%) @ -1dBFS
Signal-to-Noise Ratio	119dB ‘A’-Weighted (typical)
Common-Mode Rejection Ratio	50/60Hz CMRR: -70dB

Instrument Inputs

All measurements taken at maximum gain unless otherwise stated, Rs = 600Ω

Gain Range	0-8dB to 63dB in 1dB steps
Type	Zin = 2.3MΩ
Max. Input Level	+15dBu ±0.5, min gain
Min. Input Level	-48dBu ±0.5
Frequency Response	20Hz – 35kHz ±0.2dB, min gain
THD + N	-94dB (0.002%) @ -1dBFS (@ 11dB Gain)
Signal-to-Noise Ratio	117dB ‘A’-Weighted (typical), min gain
HPF	-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
Air Mode	2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

Line Outputs 3-18

All measurements taken at maximum output level, RL = 100kΩ

0 dBFS Reference Levels	+18dBu ±0.5
Frequency Response	20Hz – 35kHz ±0.2dB
THD + N	<-102dB (0.0008%) unweighted, 20Hz – 20kHz; -1dBFS input
Dynamic Range	121dB ‘A’-weighted (typical), 20Hz – 20kHz
Output impedance	Nominal output impedance = 136Ω balanced (68Ω each phase)

Monitor Outputs

All measurements taken at maximum output level, RL = 100kΩ

Frequency Response	20Hz – 35kHz ±0.2dB
Dynamic Range	+120dB (A-Weighted)
Maximum Output Level (0 dBFS)	+18dBu ±0.5
THD+N	<-78dB (0.0012%) unweighted, 20Hz – 20kHz; -1dBFS input
Stereo Level Balance	±0.02dB @ 997Hz
Output impedance	Nominal output impedance = 136Ω balanced (68Ω each phase)

Headphone Output

All measurements taken at maximum output level, RL = 600Ω

0 dBFS Reference Levels	+16dBm ± 0.1dB
Frequency Response	20Hz – 20kHz ±0.2dB
THD + N	<-75dB (0.018%) unweighted, 20Hz – 20kHz
Stereo Level Balance	±0.05dB @ 997Hz
Dynamic Range	114dB ‘A’-weighted (typical), 20Hz – 20kHz
Output Impedance	10Ω
Headphone Impedance	32Ω – 600Ω

Crosstalk

Microphone Crosstalk

Mic Input to Input	< -70dB; 20Hz – 20kHz (driven channel at -20dBFS)
Mic Input to Output	< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
Output to Mic Input	< -130dB; 20Hz – 20kHz (driven channel at -20dBFS)

Line Crosstalk

Line Input to Line Input	< -60dB; 20Hz – 20kHz (driven channel at -20dBFS)
Line Input to Output	< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
Output to Line Input	< -115dB; 20Hz – 20kHz (driven channel at -20dBFS)

Output Crosstalk

Output to Output

< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)

Headphone Crosstalk

Headphone to Headphone

< -75dB; 20Hz – 20kHz (driven channel at -20dBFS)

Digital Performance

Supported Sample Rates	44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz at 24 bit
Clock Sources	Internal, ADAT, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

Front Panel Connectivity

Instrument Inputs

Channel Count	2 Channels In
Instrument Inputs	2 x 1/4″ TS stereo jack

Headphone Outputs

Channel Count	2 Stereo Channels Out
Headphone Outputs	2 x 1/4″ TRS stereo jack

Rear Panel Connectivity

Thunderbolt

Channel Count	Up to 64 In and 64 Out
Thunderbolt Ports	2 x Thunderbolt Ports (Primary Port 1 and Primary Port 2)

Pro Tools|HD

Channel Count	Up to 64 In and 64 Out (32 In and 32 Out per connection)
Primary Port	2 x Mini DigiLink

Dante

Channel Count	Up to 32 In and 32 Out
Input and Output	2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).

Mic Inputs

Channel Count	8 In
Input	1 x DB-25 connectors (AES59)

Line Level

Channel Count	16 In and 16 Out
Input	2 x DB-25 connectors (AES59)
Output	2 x DB-25 connectors (AES59)

ADAT

Channel Count	Up to 16 In and 16 Out
Input	2 x TOSLINK connector
Output	2 x TOSLINK connector
Channel Assignments @ 44.1 kHz, 48 kHz	Port 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16
Channel Assignments @ 88.2 kHz, 96 kHz	SMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
Channel Assignments @ 176.4 kHz, 192 kHz	SMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4

S/PDIF

Channel Count	2 In and 2 Out (Optical up to 96kHz)
Input	1 x RCA phono socket (1 x TOSLINK up to 96kHz)
Output	1 x RCA phono socket (1 x TOSLINK up to 96kHz)

Monitor Outputs

Channel Count	2 Out
Montor Outputs	2 x 1/4″ TRS stereo jack

Loop Sync

Loop Sync Input	1 x BNC 75Ω port
Loop Sync Output	1 x BNC 75Ω port

Word Clock

Word Clock Input	1 x BNC 75Ω port
Word Clock Output	1 x BNC 75Ω port

PSU

PSU	1 x IEC Input

Front Panel Indicators

OLED Screens	3 x Screens (menus and metering)
Control Functions	2 x Encoders (menu navigation, channel functions (Gain, +48V, Phase, HPF, Air and Mic/Line/Inst) monitor and headphone outputs (Level, Mute and Dim)). 12 x Switches (control over OLED menus & metering)

Dimensions

Height	44mm/ 1.73″
Width	483mm/ 19.02″
Depth (Chassis Only)	340mm/ 13.39″

Weight

Weight

5.14kg

Power

PSU	1 x Internal, 100-240V, 50/60Hz, consumption 65W.

Publié le 28 novembre 2017 29 novembre 2017

Spécifications Red4Pre

Tech Spec

Supported Sample Rates

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

Simultaneous inputs & outputs

58 x 64 (not including 2 x virtual loopback inputs in Thunderbolt Mode)

Eight channels of analogue-to-digital conversion

2 High impedance instrument inputs
4 Red Evolution mic preamps
8 line inputs (D-Sub)

Fourteen channels of digital-to-analogue conversion

2 main monitor outputs (TRS)
8 line outputs (D-Sub)
2 stereo headphone outputs

Eighteen channels of digital I/O

16 channels of ADAT I/O via optical connector supports SMUX and SMUXII for operation up to 192 kHz
2 channels of S/PDIF I/O

Dante expansion

32 input channels
32 output channels
Compatible via Dante Virtual Soundcard (Not Included)
Advanced Mode allows audio routing of any 3rd party Dante device to and from the Red 4Pre anywhere on your network
Auto-routing mode not currently implemented

Connectivity

Dual Thunderbolt™ 2 ports (2m Thunderbolt Cable included in the box)
Dual Digilink for connecting to Pro Tools | HD

Microphone Preamps

4 Red Evolution Mic Preamps
‘AIR’ Mode
+48V Phantom Power
Switchable HPF
Phase Reverse
Stereo linking
All features controllable from front panel of Red 4Pre and from within Focusrite Control

Microphone Inputs

Connector Type	XLR Female, pin 2 positive
Phantom Power	+48V Phantom Power, Switchable per mic input
Frequency Response	20 Hz – 35 kHz +/-0.2 dB
Signal to Noise Ratio	118 dB (A-weighted)
Dynamic Range	118 dB (A-weighted)
THD+N	0.0009%
Noise EIN	–129 dBu (A-Weighted)
Maximum input level	+19 dBu
Gain Range	0-63dB (1dB increments from 8dB)
Common mode rejection ratio	>70dB at 997 Hz Min Gain
Input impedance with AIR mode OFF	6kΩ
Input impedance with AIR mode ON	2kΩ

Line Inputs 1-4

Connector Type	DB25 Female connector balanced
Frequency Response	20 Hz – 35 kHz +/-0.2 dB
Signal to Noise Ratio	118 dB (A-weighted)
Dynamic Range	118 dB (A-weighted)
THD+N	0.0009%
Maximum input level	+27dBu
Gain Range	0-63dB (1dB increments from 8dB)
Common Mode Rejection Ratio	>70dB at 997 Hz Min Gain
Input impedance with AIR mode OFF	10kΩ
Input impedance with AIR mode ON	10kΩ

Line Inputs 5-8

Connector Type	DB25 Female connector balanced
Frequency Response	20 Hz – 35 kHz +/-0.2 dB
Signal to Noise Ratio	118 dB (A-weighted)
Dynamic Range	118 dB (A-weighted)
THD+N	0.0007%
Maximum input level	+26dBu
Gain Range	N/A (Fixed Gain)
Reference Level	N/A
Common Mode Rejection Ratio	>70dB at 997 Hz Min Gain
Input impedance with AIR mode OFF	20kΩ
Input impedance with AIR mode ON	20kΩ

Instrument Inputs

Connector Type	1/4″ Female TS Unbalanced
Frequency Response	20 Hz – 35 kHz +/-0.2 dB
Signal to Noise Ratio	117dB (A-Weighted)
Dynamic Range	117dB (A-Weighted)
THD+N	0.0015%
Maximum input level	+15dBu
Gain Range	0-63dB (1dB increments from 8dB)
Input impedance with AIR mode OFF	Nominal input impedance = 2M3
Input impedance with AIR mode ON	Nominal input impedance = 2M3

Monitor Outputs

Connector Type	1/4″ Female TRS Balanced
Frequency Response	20 Hz – 35 kHz +/-0.25 dB
Signal to Noise Ratio	+120dB (A-Weighted)
Dynamic Range	+120dB (A-Weighted)
Maximum Output Level (0 dBFS)	+18dBu
THD+N	0.006%
Stereo Level Balance	0.02dB@ 997Hz
Output impedance	Nominal output impedance = 136R balanced (68R each phase)

Line Outputs 3-10

Connector Type	DB25 Female connector balanced
Frequency Response	20 Hz – 35 kHz +/-0.25 dB
Signal to Noise Ratio	+121dB (A-Weighted)
Dynamic Range (Line Outputs)	+121dB (A-Weighted)
Maximum Output Level (0 dBFS)	+18dBu
THD+N	0.0009%
Stereo Level Balance	0.02dB @ 997Hz
Output impedance	Nominal output impedance = 136R balanced (68R each phase)

Headphone Outputs

Connector Type	1/4″ Female TRS Stereo
Signal to Noise Ratio	115dB (A-Weighted) @ 270R
Dynamic Range	115dB (A-Weighted) @ 270R
THD+N	0.01% @ 270R
Maximum Output Level	+16dBu @ 270R
Max Output Power	80mW (+19dBm) @ 270R
Output Impedance	10Ω

Digital I/O

Synchronisation Sources

Internal, ADAT, S/PDIF, Word Clock, Loop Sync, Dante

S/PDIF

Connector Type	Coaxial RCA
Supported Sample Rates	44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

ADAT

Connector Type	Optical TOSLINK
Format	ADAT Digital Lightpipe with S/MUX
Supported Sample Rates	44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 – 8, Port 2 = 9 – 16
Channel Assignments @ 88.2 kHz, 96 kHz Port 1 = Channels 1 – 4, Port 2 = 5 – 8
Channel Assignments @ 176.4 kHz, 192 kHz Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4

Word Clock

Connector Type	BNC
Word Clock input termination	75 Ohms

Electrical

AC Input Connector Type	Male IEC
AC Requirements	100 – 240V AC, 50 – 60 Hz
Max Power Consumption	35W

Mechanical

1U Rack Mountable

Weights and Dimensions of unboxed unit

Weight (without accessories)	4.59 kg
Height	44 mm
Width	483 mm
Depth (length)	340 mm

Weights and Dimensions of boxed unit

Weight	6.4 kg
Height	110 mm
Width	600 mm
Depth (length)	465 mm

Package Contents

Focusrite Red 4Pre Audio Interface
2m Thunderbolt Cable
Getting Started Guide
IEC Power Cable